Hitting a mark
The single most valuable thing a dog on set can do. How a mark is taught at home, long before there is a camera anywhere near her.
The part nobody films. How a dog learns to hit a mark, hold a stay through a room full of strangers, and do it again on take nine. From a Goldendoodle who books national commercials.
People assume animal work is casual. On a legitimate production it is one of the most documented parts of the day, and knowing that is how you tell a real job from a bad one.
Sources: American Humane, No Animals Were Harmed program. The 90 percent figure is this handler’s own experience on commercial sets, not a published statistic, and is offered as such.
Watch the series on YouTube and Instagram.

The single most valuable thing a dog on set can do. How a mark is taught at home, long before there is a camera anywhere near her.
Lights, cables, a boom over her head and fifteen strangers she has never met. The stay has to survive all of it, so it gets built in noise, not in silence.
You cannot always feed a dog between takes. A dog who will work for a tug when there is no food on offer is worth real money on a set. How to build that second currency on purpose.
Ignoring a room that wants to pet her, and looking exactly where the shot needs her to look. Two skills that pull in opposite directions.
Call time to wrap on a real job. The waiting, the resets, the takes nobody uses, and what actually makes a dog easy to hire again.
The honest list of what a dog has to be able to do before you submit him for a job, and what to pack the day he books one. One page, free, straight to your screen.
A Goldendoodle dog actor and model based in Los Angeles, and a trained psychiatric service dog. Her credits include a national commercial for Concora Credit, a feature in The New Yorker, Jax and Bones, and Nylabone. Everything in this series is what she actually does on a job. See her full work or book her.